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Showing posts with label 22. Song of Solomon. Show all posts
Showing posts with label 22. Song of Solomon. Show all posts
       
The Song of Solomon, Background

Quick Run-Down
This very intimate and inspired work is a unified series of love poems, for the most part in the form of songs addressed between a man and woman, both in love. Solomon is most likely the author, but in some Bibles this book is called the Song of Songs, following the literal translations of the first two verses. 
These songs have often been interpreted by Jews as a picture of the relationship between God and His people, and by Christians as a picture of the relationship between Christ and the Church. More recently, the Song of Solomon has been used by many Christians as prescriptive of a healthy courtship and marriage.

Title
The Greek Septuagint (LXX) and Latin Vulgate (Vg.) versions follow the Hebrew (Masoretic Text) with literal translations of the first two words in 1:1 - "Song of Songs." Several English versions read "The Song of Solomon," thus giving the fuller sense of 1:1. The superlative, "Song of Songs" (Cf. "Holy of Holies" in Exo 26:33,34 and "King of Kings" in Rev 19:16), indicates that this song is the best among Solomon's 1,005 musical works (1Ki 4:32). The word translated "song" frequently refers to music that honors the Lord (cf. 1Chr 6:31,32; Psa 33:3; 40:3; 144:9).

Author and Date
Solomon, who reigned over the united kingdom 40 years (971-931 B.C.), appears 7 times by name in this book (1:1,5; 3:7,9,11; 8:11,12). In view of his writing skills, musical giftedness (1Ki 4:32), and the authorial, not dedicatory, sense of 1:1, this pice of Scripture could have been penned at any time during Solomon's reign. Since cities to the N and tot he S are spoken of in Solomon's descriptions and travels, both the period depicted and the time of actual writing point to the united kingdom before it divided after Solomon's reign ended. Knowing that this portion of Scripture comprises one song by one author, it is best taken as a unified piece of poetic, Wisdom literature rather than a series of love poems without a common theme or author.

Background and Setting
Two people dominate this true-life, dramatic love song. Solomon, whose kingship is mentioned 5 times (1:4,12; 3:9,11; 7:5), appears as "the beloved." The Shulamite maiden (6:13) remains obscure; most likely she was a resident of Shunem, 3 mi. N of Jezreel in lower Galilee. Some suggest she is Pharaoh's daughter (1Ki 3:1), although the Song provides no evidence for this conclusion. Others favor Abishag, the Shunammite who cared for King David (1Ki 1:1-4, 15). An unknown maiden from Shunem, whose family had possibly been employed by Solomon (8:11), seems most reasonable. She would have been Solomon's first wife (Ecc 9:9), before he sinned by adding 699 other wives and 300 concubines (1Ki 11:3).
Minor roles feature several different groups in this book. First, note the non-infrequent commentary by "the daughters of Jerusalem" (1:4b,8,11; 3:6-11; 5:9; 6:1,10,13a; 7:1-5; 8:5a), who might be part of Solomon's household staff (cf. 3:10). Second, the affirmations of 5:1b would most likely be God's blessing on the couple's union. Third, the Shulamite's brothers speak (8:8,9).
The setting combines both rural and urban scenes. Portions take place in the hill country N or Jerusalem, where the Shulamite lived (6:13) and where Solomon enjoyed prominence as a vine grower and shepherd (Ecc :4-7). The city section includes the wedding and time afterward at Solomon's abode in Jerusalem (3:6-7:13).
The first spring appears in 2:11-13 and the second in 7:12. Assuming a chronology without gaps, the Song of Solomon took place over a period of time at least one year in length, but probably no longer than two years.

Historical and Theological Themes
All verses in Solomon's Song have been recognized by the Jews as part of their sacred writings. Along with Ruth, Esther, Ecclesiastes, and Lamentation, it is included among the OT books of the Megilloth, or "five scrolls." The Jews read this song at Passover, calling it the "Holy of Holies." Surprisingly, God is not mentioned explicitly except possibly in 8:6. No formal theological themes emerge. The NT never quotes Solomon's Song directly (nor Esther, Obadiah, and Nahum).
In contrast to the two distorted extremes of ascetic abstinence and lustful perversion outside of marriage, Solomon's ancient song exalts the purity of marital affection and romance. It parallels and enhances other portions of Scripture which portray God's plan for marriage, including beauty and sanctity of sexual intimacy between husband and wife. The Song rightfully stands alongside other classic Scripture passages which expand on this theme, e.g., Gen 2:24; Psa 45; Pro 5:15-23; 1Cor 7:1-5; 13:1-8; Eph 5:18-33; Col 3:18,19; and 1Pet 3:1-7. Hebrews captures the heat of the song, "Marriage is to be held in honor among all, and the marriage bed is to be undefiled; for fornicators and adulterers God will judge."

                                  

Interpretive Challenges
The Song has suffered strained interpretations over the centuries by those who use the "allegorical" method of interpretation, claiming that this song has no actual historical basis, but rather that it depicts God's love for Israel and/or Christ's love for the Church. The misleading idea from hymnology that Christ is the rose of Sharon and the lilly of the valleys results from this method (2:1). The "typological" variation admits the historical reality, but concludes that it ultimately pictures Christ's bridegroom love for His bride the church.
A more satisfying way to approach Solomon's Song is to take it at face value and interpret it in the normal historical sense, understanding the frequent use of poetic imagery to depict reality. To do so understands that Solomon recounts 1) his own days of courtship, 2) the early days of his first marriage, followed by, 3) the maturing of this royal couple through the good and bad days of life. The Song of Solomon expands on the ancient marriage instructions of Genesis 2:24, thus providing spiritual music for a lifetime of marital harmony. It is given by God to demonstrate His intention for the romance and loveliness of marriage, the most precious of human relations and the "grace of life." (1Pet 3:7).

Outline
I.  The Courtship: "Leaving" (1:2-3:5)
A.  The Lover's Remembrance (1:2-2:7)
B.  The Lover's Expression of Reciprocal Love (2:8-3:5)
II.  The Wedding: "Cleaving" (3:6-5:1)
A.  The Kingly Bridegroom (3:6-11)
B.  The Wedding and First Night Together (4:1-5:1a)
C.  God's Approval (5:1b)
III.  The Marriage: "Weaving"" (5:2-8:14)
A.  The First Major Disagreement (5:2-6:3)
B.  The Restoration (6:4;8:4)
C.  Growing in Grace (8:5-14)

MacArthur Study Bible, NASB, Updated Edition. 2006. Nelson Bibles, Thomas Nelson. La Habra, CA.

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